‘Un Film Dramatique’ Review: Kids, Cameras, and Freedom

Since his debut in 2007, Éric Baudelaire has become known in cinephilic circles for his formally experimental, aesthetically spare works of essayistic nonfiction. His films are of worldly erudition and deeply concerned with casually artistic artifacts: the titular letters to his dear friend Maxim Gvinjia, former Foreign Minister of the breakaway Caucasi…