Nonfics

Nonfics

What Is Your Stance On One-Sided Documentaries?

This edition of Cinematical’s Doc Talk column looks at the pros and cons of documentaries being one-sided or balanced.

Christopher Campbell's avatar
Christopher Campbell
Feb 10, 2010
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How do you respond to one-sided documentaries? Do you dismiss them for their lack of fair and balanced reporting? Do you celebrate the film if you agree with its agenda and denounce the film if you're against its position? Do you approve of bias only if it's upfront and/or personalized (à la Michael Moore)? And finally, where do you draw the line at accepting one-sidedness? Obviously, any film against the Holocaust is okay. There's no other socially acceptable side to be on. But is everybody okay with a one-sided film against dolphin slaughter? How about one against the mass murder of electric cars?

These are all questions for which I'm curious about how a general audience feels. I know how most critics respond to nonfiction films: subjectively enough that I can tell the politics and beliefs of the writer based on how he or she reviews them. Occasionally I'll know even before the reviews are out. At press screenings, critics tend to cheer and boo more during documentaries than fiction films. Footage of George W. Bush has especially elicited sneers from audiences at such screenings over the past few years.

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Yet even with the critics who wear their ideologies on their sleeves, there will always be a considerable preference for balanced documentaries, the sort that evenly lay out two sides of an issue, feature testimony from experts and significant parties representing both viewpoints, and are at least seemingly nonpartisan or lacking in any agenda on the part of the filmmakers. This is especially welcome with hot-button topics like abortion, which is why Tony Kaye's Lake of Fire was so well received. It's one of the most successfully apolitical documentaries ever constructed.

Yet that specific, brilliant example aside, I tend to favor documentaries with a certain leaning and appreciate most films with an angle as far from neutral as possible, no matter the side taken. I'm not talking about films that completely ignore other points of view or those with unfair, ungrounded, and deceptive claims (à la both Michael Moore and his opponents at times). I mean documentaries that have a real purpose and are made by filmmakers who are passionate about the subject being documented as well as their honest perspective on it.

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