ND/NF 2014: ‘Mouton’ Review

Saying that an art house narrative feature has a “vérité” style means comparatively little these days. It seems as if every festival-bound European drama is shot like an observational documentary, simultaneously removing all stylistic excess while subtly drawing our attention to the presence of the camera. In a post-Dogme 95 world, replete with Dardenne…
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